My One-Note Song
Last summer I entered my first poetry book, Light in My Darkness, in the Writers Digest Self Published Book Awards contest. Riding high on the coattails of being named a finalist in the Cascade Writers Contest in the published poetry category, I decided to submit my book on the last possible day of the contest and see what happened. I didn’t really expect to win, but I thought the feedback I would receive might be valuable.
I received an email with the judge’s comments just yesterday. I was a bit surprised to find that my submission was only read by one judge. Given the price tag on entering and the national scope of the contest I figured they’d have at least two judges per book.
At any rate, I thought I’d share the less-than-glowing review here with you all. I know, it seems weird to share a review that doesn’t just rave about my book, but I do so for a reason. Although the judge found fault with my labor of love, it was the very fault that he or she found that made me smile. Here’s the review, copied and pasted with grammatical errors and all, with my favorite part in bold:
This book of Christian devotional poetry is written by a woman who pulled herself up from the depths of depression through faith, and she should be admired for it. I also appreciate is that the poet uses many different forms of poetry to express herself: pantoums, sonnets, villanelles, cinquains, triolets, sestinas, ghazals, acrostics, and even a concrete poem, as well as other rhymed verse and free verse.
My problem with this 127-page book is that it is composed almost entirely of poems of praise, and after a while it becomes a one-note song. The entire first section uses the metaphor of darkness into light to describe her salvation and coming up from depression. One can say the same thing only so many ways. There are five more sections to the book, on themes of “bring light to the darkness of others”, “being set free from the past”, forgiveness, “god in the midst of pain and suffering”, and a last section of what I would describe as “pure praise”. Recurring themes come up in poem after poem: darkness vs. light, Jesus vs. Satan, “jars of clay”, etc. Most of the poems have an addendum of a Scripture quote too. Also, the poet chooses to label the type of poetic form beneath the title of most of these poems. This isn’t necessary, and many rhymed poems here are mislabeled as “free verse.” The book conveys its message through its cover too – a kneeling figure on a cliff looking up to an image of a cross on a mountainside. The type size is quite large- was it meant to be a “large-print” book ? (I’m not asking this facetiously.) The bio and blurbs on the back cover are well-presented.
Granted, I am not a devout person, so maybe I don’t take the message to heart as a more religious person would. Still, I think even a faithful reader may find this book a bit repetitive after the first twenty or thirty pages. My advice to the author: Use your interest in poetic forms to your best advantage, and diversify your themes and subjects. There is so much you can say from a perspective of faith about nature, your family and friends, social issues, even your career. Don’t be afraid to bring in more details of your life and less of the language of praise, and your next book may be even better.
I am thrilled that this reader saw my praise of God so prominently in my poetry. If that is my one-note song, I’ve succeeded in doing what God has called me to do. I’ll keep singing that song until the day I die. To those struggling with depression, I want to clearly reveal the love and hope of Jesus so that they might one day praise Him, too, for being the Light in their darkness.